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Ed Kienholz's Five Car Stud is a powerful and provocative installation that explores themes of racism and violence in America. The piece consists of a life-size scene of a group of white men brutally assaulting a black man, set in a dimly lit garage. This controversial work challenges viewers to confront the dark history of racial violence and discrimination in the United States.

The Beanery is another notable installation by Ed Kienholz, created in 1965. It depicts a bar called "The Beanery" in Los Angeles, which was a popular hangout spot for artists and Beat poets during the 1960s. The installation is filled with life-sized mannequins, including one of Kienholz himself, and is meant to capture the vibrant and chaotic atmosphere of the era.

The Portable War Memorial is a poignant and thought-provoking installation that reflects on the impact of war on society. It features a small casket containing a soldier's uniform, surrounded by a variety of everyday objects such as a telephone, a radio, and a clock. This juxtaposition of the mundane and the tragic serves as a commentary on the normalization of violence and death in our culture.

The Illegal Operation is a disturbing and graphic installation that addresses the controversial topic of abortion. It consists of a blood-stained operating table with a pile of dirty dishes and utensils, representing the unsanitary conditions in which illegal abortions were often performed. This piece aims to shed light on the dangerous and often deadly consequences faced by women seeking abortions before it was legalized in the United States.

In The Wait, Kienholz presents a powerful and unsettling commentary on the Vietnam War. The installation features two life-size figures sitting in a dimly lit room, one with a rifle in hand, while the other is visibly distressed and holding a child's doll. This piece captures the sense of despair and hopelessness experienced by soldiers and their families during the war.

The Ozymandias Parade is a visually striking installation that reflects on the fleeting nature of power and fame. It features a procession of mannequins dressed in formal attire, resembling a parade of politicians or wealthy individuals. However, their faces are distorted and grotesque, symbolizing the eventual downfall and decay of those in positions of power.

The Hoerengracht is a collaborative installation by Ed and Nancy Reddin Kienholz. It recreates the red-light district of Amsterdam, known as the "Hoerengracht" or "Whore's Canal." The piece is a commentary on prostitution and the objectification of women, as well as a reflection on the artists' own experiences in the city.

The State Hospital is a disturbing and immersive installation that portrays the dehumanizing conditions of mental health institutions. It features a series of rooms filled with grimy and dilapidated furniture, medical equipment, and disturbing mannequins representing patients. This piece challenges viewers to confront the mistreatment and neglect often faced by those with mental illnesses.

The Merry-Go-World or Begat by Chance and the Wonder Horse Trigger is a complex and multi-layered installation that explores themes of religion, consumerism, and mortality. It features a large wooden horse suspended from the ceiling, surrounded by various objects and figures that represent different aspects of American society. This piece invites viewers to contemplate the chaos and absurdity of the human experience.

The Back Seat Dodge '38 is a seminal work by Ed Kienholz, created in 1964. It is a highly detailed and immersive installation that depicts a couple engaging in sexual activity in the back of a car. This piece challenges societal taboos surrounding sexuality and relationships, as well as the objectification of women in media and advertising.